All the President’s Men - the concentric desks in the Library of Congress seemed like a newspaper conveyor belt breaking Nixon's Watergate. Departing from steel, materials included bicycle chain,
printer plates, brass, gimbaled
compass, foundry form,
and copper. Photo
credits Chris Myers.
24” wide x
13” deep x
13” tall
All the President’s Men - the concentric desks in the Library of Congress seemed like a newspaper conveyor belt breaking Nixon's Watergate. Departing from steel, materials included bicycle chain,
printer plates, brass, gimbaled
compass, foundry form,
and copper. Photo
credits Chris Myers.
24” wide x
13” deep x
13” tall

One of a kind miniature worlds that evoke nostalgia with a modern twist. Steel vignettes inspired by vintage furniture and classic film, television and literature.




A pharmaceutical company commissioned me to make a two sided "model" to show their executives and drug developers what they had achieved in visual form. The drug was used to prevent migraines and they interviewed a woman on the drug and asked what was life like BEFORE (the answer was "like the end of the world") and what was life like AFTER being on this medication. The answer was "like a breath of fresh air". The branding team sent me a bombed out Irish village for the "before", I asked if I could have more design freedom for the "after". I chose an intact version of the "before" side with a farmers market, a bistro and a balcony with curtains blowing in the breeze. They loved it. They filmed my process every day for two and half months and sent me clips of the edited versions.








A pharmaceutical company commissioned me to make a two sided "model" to show their executives and drug developers what they had achieved in visual form. The drug was used to prevent migraines and they interviewed a woman on the drug and asked what was life like BEFORE (the answer was "like the end of the world") and what was life like AFTER being on this medication. The answer was "like a breath of fresh air". The branding team sent me a bombed out Irish village for the "before", I asked if I could have more design freedom for the "after". I chose an intact version of the "before" side with a farmers market, a bistro and a balcony with curtains blowing in the breeze. They loved it. They filmed my process every day for two and half months and sent me clips of the edited versions.




The process video - 2.5 months cut down to 22 seconds
A snippet of the final video